Norma Tanega and Aida Pavletich: Saturday Dancer review | Safi Bugel's experimental album of the month

(Freedom to Spend) Far from her conventional 60s and 70s hits, Tanega joined up with a friend for an endearingly eccentric ‘rap opera’ spanning swampy synths and sardonic showtunes Perhaps you know Norma Tanega for her chirpy 60s folk pop, such as Walkin’ My Cat Named Dog, which charted in the US and Canada. Or perhaps you know her swooning ballads from the 70s, which have had a streaming-aided resurgence in popularity. Lesser known are her wonky, nocturnal keyboard and drum machine experiments, recorded between the late 80s and early 90s with friend and writer Aida Pavletich. Together, the pair produced a trio of tapes on a four-track in Tanega’s home studio, which are now being reissued. The first of the three, Saturday Dancer, is billed as a “rap opera”, which gives a sense of the album’s theatrical tone, if not the genre. Over 19 scuzzy and shapeshifting vignettes, the duo narrate a noirish night out on the town, from stripteases and sticky tables to the dread that seeps in when the lights come on – with some frankly bizarre tangents. The lo-fi instrumentals are suitably delirious, with clattering, likely improvised percussion and eerie synths lurking somewhere between strange and seductive. Continue reading...